Archive for the 'Extreme Hardware Makeover' Category

4600 Hardware Series Standing On Its Own

Like some cymbal package deals, there has long been a great misnomer floating around about drum hardware packs; that being many of them are too flimsy and cheap to be sold separately.

We spent a good deal of time at Gibraltar Hardware packaging our 4600 series hardware together exclusively as a sweet bundle deal with our sister company, Gretsch Drums, for obvious reasons. Because of the 4600 series line’s ever growing popularity, however, we have decided to offer them individually for the first time.

The 4600 series hardware includes a hi-hat stand, snare stand, 1 boom rod and 1 straight cymbal stand, and a kick drum pedal. It was originally designed to give Gretsch drum customers instant kit playability leaving the retail store or delivery truck at a reasonable price, but with the same high quality as our other individual lines. While the Gretsch/Gibraltar hardware packs are no longer Gretsch specific, they still very much pack a punch.

This gear solves several problems for the both the practicing and gigging drummer, especially for those who either are new to the drumming community or looking to upgrade their outdated equipment. First, it’s the perfect way to upgrade to great, low mass double braced hardware to expand your current gear offerings, have back-ups in case of emergency, or to finish off a shell kit purchase. If you don’t place your cymbal positions well above head level or love to thrash hard all the time, then the 4600 cymbal stands (boom stand extension ranges from 30-57 inches tall) are perfect for you. That said, the 4600 series cymbal stands are designed to hold virtually any cymbal weight. It is just a matter of how hard you rock them.

Because the 4600 series cymbal stand bases are a double braced tripod design with hinged height adjustment, drummers can also envision alternative set-up treatments as yet another advantage to owning such components. We’ve seen skinners mounting a tom-tom, cowbell, tambourine, and other percussive devices on these babies with no problems.

As for the 4600 series hi-hat stand, drummers can find an advantage in that the top height extension of 36 inches will certainly make it easier to fit the stand in a standard drum hardware bag without having to collapse it. And its rotating base tripod leg certainly helps provide more foot space for double bass drum players and those fitting a drum kit in tight stage or practice spaces.

The 4600 series snare stand gives drummers the same quality all cast adjustment points, but without the added weight. This may not be the best option for drummers with heavy 6.5-inch deep snare shells, but for smaller piccolo-like snare players and as secondary snare stand option, you can’t beat the price or quality.

And as for the 4600 series bass drum pedal, it is one of the better packaged deal pedals on the market today as a simple and fast pedal, styled with the Wave pedal board and hammer dual surface beater that delivers speed and ease of use. It is the perfect pedal for those learning how to play kick drum, or for old drummers who want a more efficient and transportable piece of gear.

You can see from the product description advantages above why we have decided to break this series out as separate Gibraltar Hardware options. We think you will find the series offering as the perfect individual addition or replacement, or complete line.

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New Lightweight Cymbal Stands

Our Turning Point hardware features light weight aluminum based stands. It’s double braced just like our traditional 9606 brake tilter stands and just as solid but much lighter. The stand still has memory locks for fast set ups including a memory lock for the base to memorize leg height.
Included in the innovative design of the Turning Point is our Swing Nut technology. The Swing Nut offers drummers a faster set up and eliminates losing your nuts before, during or after the gig!

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Gibraltar Rack Supports 200 lb. “Drum”

Gibraltar’s Brent Barnett, all 200 lbs, performs pull ups on a Gibraltar rack and tom mount to prove that using memory locks correctly will prevent your toms from slipping. Brent demo’s how to use memory locks, in this case a combo of slip on and hinged, to prevent any movement on the bar or the clamp.
Pretty much this ends the discussion on slippage… unless your toms are over 200 lbs!

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Avenger II Puts More Metal To The Pedal

Our new Avenger II 6611 series pedals have everything that working and student drummers alike would ever need to satisfy their diverse musical styles and abilities.

With a simpler but equally comparable construction to our top line Intruder series, the Avenger’s single and double pedals work as well in highly syncopated jazz and funk situations as they do laying down heavy 32nd note patterns in a metalcore band. As for durability, retraction and speed, you would be hard pressed to find a better product on the market today. And the pedals come with our 5-year warranty, which is almost unheard of these days.

Both of our Avenger’s 6611’s single and double pedals capitalize on the uniquely patented and highly praised CAM drive, which offer two bearings each. Powering our hardened steel, self-aligning flat head beater is a rock solid double chain that attaches under the pedal board with two firm nut screws. We also allowed for flexible action and height adjustments using a slider hole assembly about a half-inch long positioned just below the CAM drive adjusted with a key screw. What’s more, we have taken the extra care necessary to place a more durable rubber bushing where the chain meets the pedal board to avoid potential noise and damage. As almost half-moon shaped, the double chain wraps around the cam’s felt backing and attaches to the hexagon-shaped beater support bar. The beater holder is also adjustable with a key screw as is the beater shaft’s height.

The pedal board itself not only has a sleek design with its curved silver surface finish, but we also left four vertical slots in the upper board’s plate design to reduce pressure resistance while playing and lessen the pedal’s overall weight. The holes also look really cool by revealing a black base below.

Connected with three base screws, the heel plate attaches to the upper pedal board hinge with a very solid rod. The fixed rock plate is stabilized with a Velcro base on the heel end and two spring-loaded anchor spurs on the other. Though we recommend using our pedal on carpet, the pedal’s hoop clamp attaches to the bass drum easily with a key screw and reduces the possibility of hoop scratches with a threaded rubber bushing. We even threw in a drum key to assist you with pedal adjustments that fits nicely into a stationary holder attached directly to our base plate. We felt that enhancement would come in real handy if you lose your main tuning key.

There are also several notable innovations we designed into the adjustable pedal spring and tension assembly. We made the bottom tension screw nut’s length longer than most similar ones on the market, adding ease and agility to your beater tension options. The spring CAM assembly is ratchet adjusted and we built a top key screw in for specific angle beater positioning. All of the spring CAM’s components are replaceable.

When connecting the Avenger II double bass drum pedal to its sister companion, the center connecting shaft rod is designed to extend out longer than most similar competing products for those drummers who require more leg and foot width span. Fastening screws are used on either end of the rod’s u-joint to connect the shaft to the spring CAMs. And we placed two key screws on either end of the shaft to tighten your rod down once extended. We built two bearings into each drive system as well.

Whether you play heel up or down, our newest Avenger II 6611 series pedals perform flawlessly, quietly, and with the speed required for drummers of all types and styles.

- Tim Kane is a freelance drummer, instructor and writer living in Massachusetts. He writes a regular blog for Gibraltar Hardware.

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The Nuts and Bolts of Drum Hardware Problems (pt-1)

I once used a credit card as a makeshift screwdriver when my kick pedal decided to take 5 during a gig. I’m sure all of you have been there as well. When things go wrong with your drum hardware, we’re often left without easy alternatives and quick solutions.
As a general rule of thumb, I never play a gig or practice without a spare hi-hat stand and second kick drum pedal at the ready. You lose either component live and you’re cooked. At Gibraltar Hardware, we understand stuff does breakdown from time to time, so we compiled these top 10 drum hardware problems as a way to help the working and practicing drummer become better prepared. Please bear in mind that Gibraltar carries a boatload full of replacement parts found online here, which is a fully searchable database.

1 – DETHRONED

Most drummers sit while playing so the stool or throne they own is an essential component and natural extension of the drum kit itself. What can go bump in the night with drum seats is support failure. First, it is very important that you own a seat that is comfortable and provides maximum support for your body. Otherwise, get ready for back pain and possible future spinal injuries. Spend the extra money on a good quality throne like ours.

Most often the chief problem with seats is they become wobbly. Another common symptom with gas lift thrones is they could eventually leak and lose height-positioning finesse. And anther common issue involves the leg support bar becoming separated from its center support pole.

If beyond warranty coverage, check first with our parts department or your local office furniture manufacturer or retailer to see if they can repair your gas lift system. You’d also be amazed with what your car repair guy can fix with all of his neat gadgets and know-how.

As for annoying wobbles, the most likely culprit is because you purchased a chair with a threaded shaft, requiring you to tighten the wing nut holding the seat into its height. Those holes can become stripped over time, but the larger problem is that the thread itself – not the wing nut – is damaged. One of the best recommendations I can offer is to invest in a universal back rest like Gibraltar’s GUBR. Most wobbles begin to occur because drummers are shifting around on the chair too much changing posture positions. Drummers should remain in a relatively straight position while playing and a backrest helps that effort as does buying the right seat. Gibraltar has several drum throne seat varieties you may want to check out here, including the motorcycle oversized seat that I prefer, a domed shaped seat, or the industry standard vinyl round seat.

When a rivet holding your leg’s horizontal support bar to the center pole falls out or snaps, you do have a few options to exercise. Beside pulling a MacGyver and putting a nut and bolt of similar size in the open hole, you may want to avoid that happenstance entirely by investing in one of our double braced throne bases like our B9608 product. The extra strength engineered into the supports prevents rivet erosion for occurring in most cases.

2 – BEAT IT

Beyond your seat, one of the top things that can wrong on your drum kit is with kick drum pedals. Before a gig or crucial practice, check the condition of your pedal’s springs, beater nut, beater and tension rods to avoid losing use your bass drum in the middle of a song. Re-tighten and check everything. But what happens when one of these critical ingredients of your pedal system goes down? The first sign of trouble is your bass beater doesn’t spring back like it once did. The most common problem is the nut attached to your spring is too loose or has just fallen off. I carry around spare Gibraltar nut and pedal spring assemblies on my key ring for that very reason. As for squeaks, a non-lubricated pedal chain or spring can sound like someone dragging their fingernails down a chalkboard over mics. Best option is to carry lubricant with you to gigs and practices.

3 – DON’T WING IT

The best way to avoid stripped cymbal stand wing nuts is to purchase one of Gibraltar’s new Turning Point stands or booms. That cool system does not employ the use of wing nuts. If that is not an option for you, the best way to deal with a wing nut that will not screw back on securely is to not further tighten it. Often times, drummers will purchase or place the wrong sized wing nut atop their cymbal tilter, thus eventually stripping its threads. Routinely lubing your tilters with oil or WD40 will help extend their lives, too. But if a wing nut breaks or flies off in the middle of a show, your best medicine is to have some wire at the ready. When unable to properly attach a wing nut, you can temporarily lock it to the tilter’s screw by winding wire around the threads extending beyond the nut. That will get you through until you can replace the nut or purchase a new Gibraltar tilter.

4 -WHAT’S THAT BUZZ?

There is nothing worse than too much buzz emanating from your snare strands. This is often evident in the interaction between your drum and bassist’s amp and monitors. It’s an annoyance that can be fixed for the most part. As is the resounding theme of this blog, a bit of pre-gig maintenance can solve a whole lot of worries later. For a full check, take your snares completely off your resonant head. Lay them on a flat surface such as your batter side floor drum head. If all the wires are evenly spaced with no slight bends, they are OK. If some (or even one) is slightly bent, they need replacing.
Another tuning method to consider for reduced buzz that I spoke about in a video blog last year involves how the wires interact with the head. I usually tune the lugs closest to the wires either looser for thicker tone or tighter for more sensitivity.
We sell 11 different snare wire products that are among the best on the market designed in standard, extra length and smaller varieties from 14-inch, 20 and 42-strand models to 12 and 13-inch 16 and 20-strand ones.
Those are the easy fixes for snare related issues. But what happens when you have tightened your snare-tensioning knob beyond what is reasonable and still lack a proper buzz? I always bring a back-up snare drum to gigs, but not everyone owns one. In most cases, your strainer’s tape or string that attaches to the wires’ butt plate has issues. If you forgot to bring Gibraltar spares, I have cut a makeshift strap from a drum head in the past. Another option is to buy a few extra nylon strips from us. And if all else fails, use shoelaces or old guitar strings for strainer cords that break.
If the wires or strainer connections are not the issue, then there is a problem with your tension knob control itself. On the fly, apply a drumstick between the bottom of the snare throw off and your hoop to tighten things down. If all else fails, duct tape your snares to the bottom head. After the gig, you should assess the working value of your strainer system, which we carry plenty of models on, and see if your shell bearing edges are worn.

5 – RACKING IT UP

For drum kit rack system owners, we could write an entire blog on how to resolve challenges. In our minds, the worst possible thing that can happen to a heavily used rack system – beyond the components mentioned elsewhere here – is your bar connection points failing. I watched our own recent rack makeover video with Gibraltar-endorsed artist Jagger Gonzales of Opus Dai. He was literally holding his old rack together with duct tape and butter knives. Those patch-it methods won’t last long and luckily we offer a vast array of replacement rack parts and conversion kits for those using other manufacturer’s products. Owning a few extras or reinvesting in our chrome or road series rack clamps will resolve many of your challenges as will our hinged memory locks.
Like anything, drum hardware does vibrate and excessive noise does not bode well for miced musicians. I have heard of drummers with rack systems actually stuffing their tubes with packing popcorn, insulation or foam to dampen them and hopefully reduce crosstalk issues. The reality is that is not normally needed. One simpler method to try is to replace your bars’ stock plastic end-caps with rubber stoppers as a dampening method.
The strength, stealth and sturdiness of our modular and power rack systems, or unique hybrid mounting bar, are products you really should consider in the event of rack system failure. They have all withstood the tests of time, road worthiness, and extreme uses by our own in-house experts, and those results have proven true out in the field.

COMING NEXT IN THIS TWO-PART SERIES: How to prevent and repair lugs, tension rods, hi-hats, tom holders and hardware-related shell tears and indentations around the drum kit.

- Tim Kane is an independent drummer, instructor and writer living in Massachusetts. He writes a weekly blog for Gibraltar Hardware.

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