Tag Archive for 'hardware'

How to Store Your Drums

There’s nothing like green corrosion spots on your cymbals, rusted tension rods or cracked drum wraps and shells to ruin a completely good drum kit. But with proper storage methods in mind, those negative results can be avoided.

My new Gretsch Catalina and vintage Rodgers drum kits rest in a dark studio shed and directly next to a warm boiler in a dimly lighted garage. These are not exactly the most ideal storage locations to bring out the best in your shells’ tones or lifespan, but they serve as a beginning point in our discussion.

Exposed long-term to either temperature extremes below 32 degrees Farenheit or above 90 could spell disaster for your drum shells, not to mention chronic problems with tuning. Your comfort zone temperature wise for free standing or stored drums, cymbals and hardware hovers around 65 degrees with low humidity – like the preferred climate inside your own home.

First, don’t stack drums from smallest diameter to largest on top of each other like they do in some music stores. While many drummers use this stacking method as a space saver – and it does work well while breaking down gear on stage – over time the weight of the drums will begin a waterfall of bearing edge and drum head warping issues.

The best accessory product you could ever invest in for your drums are hard or soft cases to help protect them in storage and in transport. They are many different case styles and price ranges – I’ve found success with relatively cheap soft bags – including a whole line of products offered here at Gibraltar Hardware as discussed in this archive blog post last August.

Locations such as unventilated attics or beside campfires, woodstoves, direct sunlight, over heater vents, or other extreme temperature areas are not so good for drum storage and even active set-ups. Notice a trend? Heat causes your shell’s wood to expand, ultimately affecting its ply construction and outer wrap laminate. Attics in particular can reach 110 degrees during the summer so unless you want bubble wrap instead of your beautiful green glitter laminate, it would be best to avoid them. Dry sheds can work well, too, only if they have insulated inner walls with sheetrock like mine does.

When my wife doesn’t hide the extension cord, my studio shed’s space heater is actually the perfect way to regulate temperature, so long as it is set on medium low and actively monitored to avoid potential for fires. And the other kit in my basement works fine, too, because I use a dehumidifier during damp times to avoid excessive mold and mildew build-up.

Use of car and truck tow trailers for your drums and band equipment are wise investments as well, so long as the trailer is not a permanent storage location. The same temperature and humidity tips above apply to trailers. Strive for storage at about 50-60 percent humidity. And if you have to leave drums, hardware and cymbals in either real cold or hot, humid areas, be sure to clean and inspect them regularly.

If you don’t own cases, the best long-term storage location is a dry walk-in closet with your drums wrapped in heavy moving blankets and then sheet plastic. I do not recommend taking the actual wrap covering off of your drum shells before storing them for long period of time, however. The wrap acts as a layer of protection for your shells and in most cases requires a heat gun to remove, which is best left to a professional.

- Tim Kane is a freelance drummer, instructor and writer living in Massachusetts. He writes a regular blog for Gibraltar Hardware.

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Getting The Biggest Bang Out Of Your Bass Drum Pedal

As a professional drum instructor, I’ve found one of the largest areas of confusion and need for improvement exists with my students’ feet and the techniques they use to power their bass drum pedals.

Younger drummers are playing louder and more intricate kick drum/pedal patterns than ever before in today’s age of speed metal-driven music. Even the older players are rediscovering the wanders of double kick playing versus the traditional bass drum-hi-hat pairings. First, though most of us should already know this, it is imperative that drummers never take their feet off the pedal board while playing. I recommend a heel-up on pedal board approach for younger players, using only the ball and toes of their feet to power pedal strikes. More advanced drummers tend to use both heel down and up methods to achieve a full range of different dynamic stylings. Heel up for younger drummers, at least in my opinion, allows for more volume and ability to develop long-term muscle memory.

I primarily play flat-footed, and go heel up for speed. But there are subtle differences to the heel up style that drummers should also understand. Heel up with leg thrust strikes creates maximum sound while pedal pivots powered by your ankles are more reserved for faster patterns. Generally, the after strike goal is to get a good bounce off of the bass drum head as the beater positions back to its original resting place – unless of course when you are going for that extra punch enabled by pushing the beater into the head with no initial rebound. A good tip I give my students is to play paradiddles with both their feet. They don’t like it because it’s hard to do RLRR-LRLL with only two feet for five minutes straight at 110 BPM tempo, but the reward is quicker development of bass drum pedal skills.

The main three problems I see with bass drum pedal spring tensioning is my students want to position the beater too close to the head for some odd reason; turn the beater sideways for a heavier punch; and don’t have the beater’s height set in the most efficient location to realize the full tone and resonance of their bass drum. Here’s what I recommend as do most professionals: your beater should be about halfway between your leg shin and the bass drum head when the pedal is not pressed down; use only the front felt side of the beater or its back hard plastic end to strike the drum head – not the sides; and beaters when pressed against the bass drum should hit the exact center of the batter side head. Your pedal board also requires adjusting. Too low a height off the floor and you will lack agility; too high a setting and your beater will be too far back for any type of solid foot control.

A good trick to use when it comes to learning and further developing your bass drum technique is to use a pillow, blanket or damper system inside your shell or head so it is not too boomy and loud. That way, you can closely analyze all the above-mentioned tips on technique.

- Tim Kane is a freelance drummer, instructor and writer living in Massachusetts. He writes a regular blog for Gibraltar Hardware.

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Cool Things from Gibraltar

Gibraltar Hardware is continuously innovating new products and upgrading current ones. These short videos highlight some of the products that can help drummers customize their set ups to achieve their own unique sound and style.

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New Drum and Amplifier Sound Shields From Gibraltar

There is nothing more frustrating for your fans – and potential new ones – than hearing out of control stage volume emanating from drummers and guitarists that totally screws up a mix, and vice versa with musicians on stage unable to hear each other. And what about your neighbors who don’t want to hear your band blaring until 10 p.m. at night? These are a few of the reasons why Gibraltar Hardware has created all new Drum and Amplifier Sound Shields.
Gibraltar Hardware knows full well that sound attenuation is deserving of as much consideration and respect as your string and stick selections. More and more guitarists are using sound shields – even Joe Walsh – to control volume, limit feedback, and increase micing quality to accentuate the natural sound of their amplifiers. Drummers have been driving sound shield innovation for many years.
With four panels, the 24-inch (#GAS-2X4) or 36-inch (#GAS-3X3) high by 6-foot-wide amp shields situated in front of guitar amps are hardly noticeable from the crowd. For drummers, the five 5-1/2-foot by 2-foot panels (#GDS-5) require no assembly and fit together with flexible hinges that run the length of the connection, making sound dampening, setup and tear down a breeze. Gibraltar Drum and Guitar shields also have two end panels that feature mouse holes at their bases, so it’s easy to run cables for mikes or e-drums through the shield.
These shields are rising in popularity not only at gigs where sound quality definitely needs to be controlled – like in many boomy church settings – but a growing number of clubs are demanding more control beyond the sound engineer’s capabilities as well – not to mention sound studios that don’t have the luxury of a separately enclosed drum kit space for recording. The beauty playing drums live with our drum shield is you can flip it around behind your kit to project your sound more, especially at outdoor venues where you might not be totally miced, or feedback problems are ever present.
Mic and feedback isolation are the key points of using the shields. It’s difficult to stop the drums from projecting out into the front vocal mics or feeding back from their own mics, unless you own top notch golden sound gear that can isolate all the instruments and uses proper limiting/gates to get desired results. The Gibraltar Drum and Guitar shields take the physical and monetary expense of that sound gear investment out of the equation and deliver both a better on-stage volume and fan listening experience.

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Custom DJ Rack: Gibraltar Hardware

With Gibraltar Hardware you can build custom and portable DJ racks to fit any set up. Here is the basic building block with a simple out of the box package from Gibraltar. From this starting point, if you can imagine it you can customize it and build your rack set up with style.

The drum set up photos include (in order) drummer Aquilles Preister from Brazil. The first Gibraltar rack created for the RCI Starfire Drum Kit 2009 and John Otto’s monster drum kit.

The music for the video is titled FTTKTBB and was created by LA based artist JLabs. This breakbeat track is 137 bpm and produced in Ableton Live.

JLabs has played several notable venues and festivals including: Vanguard, King King, PEX Summer Festival, Burning Man, Elysium Festival, Boogaloo Mountain Jam, Dialect Gallery at Lightning in A Bottle, Cinespace, Supperclub and Area 33.
Here is additional information for JLabs:

http://soundcloud.com/jlabs

http://facebook.com/jlabs

http://thegoodvibe.la

http://facebook.com/thegoodvibe

Here is the parts list for the basic DJ Rack.

Part # Description
1X GMPR GIB MULTI PURPOSE POWER RACK
3X SC-GEMC Electronic Mounting Arms w/ clamps pair
1X SC-EA100 Extension Arm
1X SC-GMBA Short Mic Boom Arm
1X GEMS-TTOP Top section of GEMS stand

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